College of Liberal Arts

Department of English

Linda Russo

Linda Russo

 

Biography

Linda Russo earned her Ph.D. in English from the Poetics Program at the University at Buffalo (SUNY) and her M.F.A. from Emerson College. She is a contributing editor of HOW2, a journal of experimental writing by women, &, until recently, the director of Sounds Out, a poetry reading series at the University of Oklahoma. A recipient of fellowships from the Ragdale Foundation and the Millay Colony for the Arts, she has given poetry readings in the U.S. & locations abroad, including Toronto, Portugal & Cuba.

Publications

Poetry
MIRTH. Chax Press (Tuscon, AZ), 2007.
o going out. Potes & Poets Press (Elmwood, CT), 1999.

Recent Essays
“Aural Spaces: Teaching Writing Listening,” p-queue, vol. 5 (Fall 2008)

“Writing Within: Notes on Ecopoetics as Spatial Practice” (2008)

“ ‘Precious, Rare and Mundane’: On the Work of Joanne Kyger” Introduction to About Now: Collected Poems by Joanne Kyger (Orono, ME: National Poetry Foundation, 2007).

“Poetics of Adjacency: 0-9 and the Conceptual Writing of Bernadette Mayer & Hannah Weiner.” Don’t Ever Get Famous: Essays on New York Writing Beyond the ‘New York School’, ed. Daniel Kane. (Normal, IL: Dalkey Archive Press, 2006).

“Dealing in Parts and Particulars: Joanne Kyger’s Early Epic Poetics.” Girls Who Wore Black: Women Writing the Beat Generation, ed. Nancy Grace and Rhonna Johnson (NJ: Rutgers, 2002).[Reprinted in The Beat Generation: A Gale Critical Companion, ed. Lynn M. Zott (MI: Gale, 2003).]

“The ‘F’ Word in the Age of Mechanical Reproduction: An Account of Women-Edited Small Presses and Journals.” The World in Time and Space: Towards a History of Innovative American Poetry In Our Time, ed. Edward Foster. Talisman, A Journal of Contemporary Poetry and Poetics #23-26 (2002).

Research Interests

In literary studies, critical essays & creative writing: poetic experiment and innovation; New American poetries (Beat, Black Mountain, etc.); masculinist & feminist poetics; cross-genre writing; ecopoetics & environmental literature; materials, spaces, places & processes; economics & globalization; aural culture & soundscape studies; poetry & performance; embodiment & sexual difference; social, material, & political contexts of poetic production. 

Contact

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