School of Music

Festival of Contemporary Art Music

Photo: Dana WilsonFebruary 6–8, 2014

Guest Composer
Dana Wilson

The works of Dana Wilson have been commissioned and performed by such diverse ensembles as the Chicago Chamber Musicians, Formosa String Quartet, Xaimen Symphony, Buffalo Philharmonic, Memphis Symphony, Dallas Wind Symphony, Voices of Change, Netherlands Wind Ensemble, Syracuse Symphony, and Tokyo Kosei Wind Orchestra. Solo works have been written for such renowned artists as Gail Williams, Larry Combs, James Thompson, Rex Richardson and David Weiss. Dana Wilson has received grants from, among others, the National Endowment for the Arts, New York Foundation for the Arts, New England Foundation for the Arts, New York State Council for the Arts, Arts Midwest, and Meet the Composer. His compositions have been performed throughout the United States, Europe, Asia and Australia, and are published by Boosey and Hawkes and Ludwig Music Publishers. They have received several awards, including the International Trumpet Guild First Prize, the Sudler International Composition Prize, and the Ostwald Composition Prize, and can be heard on Klavier, Albany, Summit, Centaur, Innova, Meister Music, Elf, Open Loop, Mark, Redwood, Musical Heritage Society, and Kosei Recordings.

Dana Wilson holds a doctorate from the Eastman School of Music, and is currently Charles A. Dana Professor of Music in the School of Music at Ithaca College. He is co-author of Contemporary Choral Arranging, published by Prentice Hall, and has written on diverse musical subjects, including his own compositional process in Composers on Composing for Band and A Composer’s Insight. He has been a Yaddo Fellow (at Yaddo, the artists’ retreat in Saratoga Springs, New York), a Wye Fellow at the Aspen Institute, a Charles A. Dana Fellow, and a Fellow at the Society for Humanities, Cornell University.

Learn more at Dana Wilson's website »

Festival schedule »

The Festival of Contemporary Art Music celebrates art music of our own time. Works by student and faculty composers are highlighted along with those of the visiting composer.

"Without the festival, and others like it, young people might not be introduced to this music," says Dr. Charles Argersinger, professor emeritus and festival creator. "It really is in danger of becoming extinct."

The 2014 Festival of Contemporary Art Music is made possible through generous support from the College of Liberal Arts and the School of Music. The festival was founded in 1989 by Dr. Argersinger and is currently under the direction of Ryan M. Hare.

 

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